by Emily Richardson
sound by Chris Watson and Benedict Drew
Cobra Mist explores the relationship between the landscape of Orford Ness and the traces of its unusual military history, particularly the experiments in radar and the extraordinary architecture of the Atomic Weapons Research Establishment. The place has a sinister atmosphere, which the architecture itself begins to reveal and the sense of foreboding is accentuated through the film’s soundtrack.
Technical information
Cobra Mist was shot on 16mm anamorphic and uses time lapse and motion control techniques. The sound is created from location recordings, then edited, layered and composed into the film’s soundtrack.
http://www.animateprojects.org/films/by_date/films_2008/cob_mist?hd=true
by Emily Richardson
sound by Chris Watson and Benedict Drew
Cobra Mist explores the relationship between the landscape of Orford Ness and the traces of its unusual military history, particularly the experiments in radar and the extraordinary architecture of the Atomic Weapons Research Establishment. The place has a sinister atmosphere, which the architecture itself begins to reveal and the sense of foreboding is accentuated through the film’s soundtrack.
Technical information
Cobra Mist was shot on 16mm anamorphic and uses time lapse and motion control techniques. The sound is created from location recordings, then edited, layered and composed into the film’s soundtrack.
http://www.animateprojects.org/films/by_date/films_2008/cob_mist?hd=true
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