February 2010
1 post
Artificiel: POWEr (2009)
Performance based on high-voltage electromagnetic perturbations, by Alexandre Burton and Julien Roy. Using an audio-modulated Tesla coil as a live instrument, electrical arcs are generated and transformed in an ongoing, realtime audiovisual process. Electricity is used as a subtle yet intense material, manifested as an instrinsically synesthesic phenomenae.
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January 2010
1 post
December 2009
2 posts
Brilliant Noise A Semiconductor film by Ruth Jarman and Joe Gerhardt made at the NASA Space Sciences Laboratory, UC Berkeley, California, USA. 2006
Brilliant Noise takes us into the data vaults of solar astronomy. After sifting through hundreds of thousands of computer files, made accessible via open access archives, Semiconductor have...
November 2009
26 posts
Roots, 2005-2006
by Roman Kirschner
glasstank, water, ironsulfate, copperwires, platinum, computer, sound system
http://www.romankirschner.net/index.php?roots
10000 Peacock Feathers in Foaming Acid, 2009
by Evelina Domnitch, Dmitry Gelfand with Francisco Lopez sound and bubble sonication by Francisco Lopez
http://portablepalace.com/10000.html
Sonolevitation, 2007
by evelina domnitch + dmitry gelfand with tez
http://portablepalace.com/levitation.htm
Scan Processor Studies (excerpts pt.1) by Brian O’Reilly
http://createdigitalmotion.com/2009/11/18/analog-to-digital-love-rutt-etra-scan-processing-reinterpreted/
BENEDICT DREW AND SACHIKO M UNTITLED 2008
http://www.benedictdrew.com/sachiko.html
benedict drew: a folding table (2008)
mp3/flac: http://www.benedictdrew.com/afoldingtable.html
Julien Maire, Model for the Apocalypse, 2008 A man builds forms with “slow motion material “, an unique material which disintegrates in slow motion under the worried glance from a camera. The slowmotion material is an original material made of micro steel balls, a special glue added to the balls slow the movement of each balls.
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manfred mohr: subset.motion
……….
subset.motion, Manfred Mohr, 2003, http://www.emohr.com/www_sub/motion_1011.html based on the 11-d hyper-cube. The algorithm selects a subset of cubes from a repertoire of 42240 cubes inherent to the 11-d hyper-cube and decides which sides shall be black or white. Clipped by a defined window, this structure rotates in front of a green background. Since the above...
http://www.liaworks.com/theprojects/it-is-black-it-is-white/
lia, 2007
turux, dcr14, http://www.turux.at/index.php?c=dcr14
screenfull →
akihiro kubota →
http://www.stevenread.com/colorchannel
hp
hp