/page/2

Artificiel: POWEr (2009)

Performance based on high-voltage electromagnetic perturbations, by Alexandre Burton and Julien Roy. Using an audio-modulated Tesla coil as a live instrument, electrical arcs are generated and transformed in an ongoing, realtime audiovisual process. Electricity is used as a subtle yet intense material, manifested as an instrinsically synesthesic phenomenae.

http://www.artificiel.org/POWEr

Acoustic listening devices developed for the Dutch army as part of air defense  systems research between World Wars 1 and 2.
http://butdoesitfloat.com/190819/For-the-world-to-be-interesting-you-have-to-be-manipulating-it-all

Acoustic listening devices developed for the Dutch army as part of air defense
systems research between World Wars 1 and 2.

http://butdoesitfloat.com/190819/For-the-world-to-be-interesting-you-have-to-be-manipulating-it-all

Brilliant Noise
A Semiconductor film by Ruth Jarman and Joe Gerhardt made at the NASA Space Sciences Laboratory, UC Berkeley, California, USA. 2006

Brilliant Noise takes us into the data vaults of solar astronomy. After sifting through hundreds of thousands of computer files, made accessible via open access archives, Semiconductor have brought together some of the sun’s finest unseen moments. These images have been kept in their most raw form, revealing the energetic particles and solar wind as a rain of white noise. This grainy black and white quality is routinely cleaned up by NASA, hiding the processes and mechanics in action behind the capturing procedure. Most of the imagery has been collected as single snapshots containing additional information, by satellites orbiting the Earth. They are then reorganised into their spectral groups to create time-lapse sequences. The soundtrack highlights the hidden forces at play upon the solar surface, by directly translating areas of intensity within the image brightness into layers of audio manipulation and radio frequencies.

http://www.semiconductorfilms.com/root/Brilliant_Noise/BNoise.htm

early computer graphics animation on the Datamax UV-1, developed by students at the Electronic Visualization Lab, 1979

Roots, 2005-2006

by Roman Kirschner

glasstank, water, ironsulfate, copperwires, platinum, computer, sound system

http://www.romankirschner.net/index.php?roots

10000 Peacock Feathers in Foaming Acid, 2009

by Evelina Domnitch, Dmitry Gelfand with Francisco Lopez
sound and bubble sonication by Francisco Lopez

http://portablepalace.com/10000.html

Sonolevitation, 2007

by evelina domnitch + dmitry gelfand with tez

http://portablepalace.com/levitation.htm




Sketch: Liquid Sound Collision by Eva Schindling, 2009
sound input into 2D fluid dynamics, visualized in 3D and milled
http://www.evsc.net/v7/doku.php?id=sketch:soundflow

Sketch: Liquid Sound Collision by Eva Schindling, 2009

sound input into 2D fluid dynamics, visualized in 3D and milled

http://www.evsc.net/v7/doku.php?id=sketch:soundflow

silent movie
Walther Ruttmann, Germany 1927
Music by Tronthaim
(Sascha Moser & Daniel Dorsch)

Artificiel: POWEr (2009)

Performance based on high-voltage electromagnetic perturbations, by Alexandre Burton and Julien Roy. Using an audio-modulated Tesla coil as a live instrument, electrical arcs are generated and transformed in an ongoing, realtime audiovisual process. Electricity is used as a subtle yet intense material, manifested as an instrinsically synesthesic phenomenae.

http://www.artificiel.org/POWEr

Acoustic listening devices developed for the Dutch army as part of air defense  systems research between World Wars 1 and 2.
http://butdoesitfloat.com/190819/For-the-world-to-be-interesting-you-have-to-be-manipulating-it-all

Acoustic listening devices developed for the Dutch army as part of air defense
systems research between World Wars 1 and 2.

http://butdoesitfloat.com/190819/For-the-world-to-be-interesting-you-have-to-be-manipulating-it-all

Brilliant Noise
A Semiconductor film by Ruth Jarman and Joe Gerhardt made at the NASA Space Sciences Laboratory, UC Berkeley, California, USA. 2006

Brilliant Noise takes us into the data vaults of solar astronomy. After sifting through hundreds of thousands of computer files, made accessible via open access archives, Semiconductor have brought together some of the sun’s finest unseen moments. These images have been kept in their most raw form, revealing the energetic particles and solar wind as a rain of white noise. This grainy black and white quality is routinely cleaned up by NASA, hiding the processes and mechanics in action behind the capturing procedure. Most of the imagery has been collected as single snapshots containing additional information, by satellites orbiting the Earth. They are then reorganised into their spectral groups to create time-lapse sequences. The soundtrack highlights the hidden forces at play upon the solar surface, by directly translating areas of intensity within the image brightness into layers of audio manipulation and radio frequencies.

http://www.semiconductorfilms.com/root/Brilliant_Noise/BNoise.htm

early computer graphics animation on the Datamax UV-1, developed by students at the Electronic Visualization Lab, 1979

Roots, 2005-2006

by Roman Kirschner

glasstank, water, ironsulfate, copperwires, platinum, computer, sound system

http://www.romankirschner.net/index.php?roots

10000 Peacock Feathers in Foaming Acid, 2009

by Evelina Domnitch, Dmitry Gelfand with Francisco Lopez
sound and bubble sonication by Francisco Lopez

http://portablepalace.com/10000.html

Sonolevitation, 2007

by evelina domnitch + dmitry gelfand with tez

http://portablepalace.com/levitation.htm




Sketch: Liquid Sound Collision by Eva Schindling, 2009
sound input into 2D fluid dynamics, visualized in 3D and milled
http://www.evsc.net/v7/doku.php?id=sketch:soundflow

Sketch: Liquid Sound Collision by Eva Schindling, 2009

sound input into 2D fluid dynamics, visualized in 3D and milled

http://www.evsc.net/v7/doku.php?id=sketch:soundflow

silent movie
Walther Ruttmann, Germany 1927
Music by Tronthaim
(Sascha Moser & Daniel Dorsch)

About:

http://3hoursold.tumblr.com

Following: